Bishop Archibald returns to life!
Sunday, March 20, 2016 - 21:04
A 700 year old carving of an important bishop is to appear awash with colour as part of a new exhibition at Elgin Cathedral. The effigy of Bishop Archibald is one of over 100 medieval carved stones going on public display for the first time in 20 years on 25th March 2016.
Spread across eight rooms in the cathedral’s north and south towers, the exhibition features expressive carved faces, flora and fauna, animals including lions and lizards, and a section of a rose window dating to the 1200’s. Fragments of medieval window glass from the cathedral will also be on display, on loan from the Elgin Museum.
Each stone is theatrically lit to reveal the detail of the carvings using LED lighting. Visitors will also be able to explore the collection through a touchscreen digital database.
Over £300,000 has been invested in conserving, interpreting and displaying the stones. The project has seen experts from Historic Environment Scotland work with external academics and partners locally in Elgin and at Edinburgh Napier University to catalogue, conserve, and ultimately tell the story of the cathedral as never before.
Stephen Duncan, Director of Commercial and Tourism for Historic Environment Scotland, said: "It’s great to see these stones coming home just in time for the start of the new visitor season in Scotland’s Year of Innovation, Architecture and Design.
“A great amount of effort has gone into the realisation of this exciting exhibition. From our conservation specialists who analysed tiny traces of paint from a 13th century sculpture of Bishop Archibald to our partners at Edinburgh Napier University who used these findings to develop a lighting display, showing what it once might have looked like when freshly painted. This exhibition provides visitors with a fantastic opportunity to discover more about the cathedral, its architecture and history. As well as the chance to view the stones and their carvings up close, it also offers a rare glimpse into what Elgin Cathedral could have looked like some 700 years ago.
“Our thanks also go to Moray Council for helping identify funding for the exhibition, and to The Elgin Fund who have invested in an education project to make the stones even more accessible. We’ve had a huge amount of interest and support locally, and it’s been a pleasure to work with the people of Elgin to invest in this important site.”
Elgin Cathedral was commissioned by the bishops of Moray – some of the most powerful people in medieval Scotland.
After a disastrous fire tore through the cathedral precinct in 1270, Bishop Archibald of Moray set about rebuilding. He took the opportunity to enlarge and enhance his church, building his tomb into the wall of the choir, close to the high altar. He was laid to rest there in 1298, with his brightly painted effigy set on top of his tomb.
Fiona Fleming, Interpretation Manager for Historic Environment Scotland, said: “Experts think its prime location close to the high altar could mean Bishop Archibald’s tomb was used as an ‘Easter Sepulchre’. This means it may have been used to consecrate Communion bread, by placing it in the tomb recess on Good Friday and guarding it for 3 days, before being ‘resurrected’ on Easter Sunday. It seems fitting to see Bishop Archibald’s effigy back home in Elgin just in time for Easter this year.
“Discovering the story of Bishop Archibald has been exciting, but one of the most interesting things about researching the stones is that we’ve been able to gain some insight into how ordinary people may have ‘read’ the carvings. We’ve found ourselves decoding messages that could be contained within the stones – from moral lessons drawn from the wonders of nature, to hidden surprises and startling warnings against sin. But we will never have all the answers, especially without knowing where the stones were situated in the cathedral. That’s why, in exploring the exhibition, we’re inviting people to ponder different possibilities in deciding what these carvings may have meant to medieval visitors before them.”